2010
How to Train Your Dragon Theme
John Powell
John Powell's Oscar-nominated score for the 2010 animated film "How to Train Your Dragon," heard here as its main theme performed by orchestras, often live alongside the movie.
What to listen for
The theme opens with a wide, soaring melody that mimics the feeling of flight, first introduced quietly and then built up with full orchestra and choir-like brass. Listen for a folk-tinged, Celtic flavor in the strings and woodwinds, a nod to the Viking setting of the story. The music often begins tentatively, mirroring the young hero's uncertainty, before swelling into a broad, heroic tune that returns throughout the film whenever the boy and his dragon take to the sky. Percussion drives the pulse in the faster passages, evoking motion and daring, while sustained horn lines give the melody its sense of grandeur. In concert performances timed to the film, the orchestra plays this material live while the movie's flying sequences unfold on screen above the stage, so the music's swells and pauses land exactly with the visuals. Even away from the screen, the piece works as a self-contained concert opener or suite highlight, moving from hushed, airy beginnings to a full-throated final statement of the main tune.
The story
John Powell composed the score for DreamWorks Animation's "How to Train Your Dragon," released in 2010, blending orchestral writing with folk instruments to suggest both a Viking world and the wonder of flight. The main theme, built around a soaring, flight-evoking melody, became the score's most recognizable material and earned Powell an Academy Award nomination for best original score. Since the film's release, orchestras across the United States have programmed the score, frequently presenting it as a live-to-picture event in which musicians perform the entire soundtrack in sync with a screening of the film. The theme has also been extracted into concert suites performed independent of the movie. Its popularity reflects the broader trend of film score concerts drawing new, often family, audiences into symphony halls.
Written by OrchestraFinder, reviewed September 2026.